The 30-year old’s interest in art and design flourished at a young age.
#DIGITAL COMPOSITOR HOW TO#
“The challenge is also how to maintain our quality amid tight schedules.” “I have to stay fit and focused despite the deadlines because sometimes we had to work overtime for three to four months,” said Denny. Another challenge lies in the technical aspect where he highlighted the actors’ expressions and performances when applying digital makeup for close-up shots. Denny had to deal with tight deadlines and spent five months in total to work on around one minute of footage. Read also: Indonesian helps create visual effects for ‘Avengers: Endgame’īecoming a digital compositor is tough. “My job was combining shooting footage or images resulting from computer-generated imagery and making sure the image and lighting composition were as real as possible,” wrote Denny in an e-mail interview with The Jakarta Post. “If there was something that the film failed to show, it’s barely noticeable,” Firmanto said via an instant messaging app on the same day.Īmong the film’s visual effects team was Indonesian Denny Ertanto, currently based in New Zealand.ĭenny, a digital compositor, works at Weta Digital, which took part in handling some parts of Avengers: Endgame’s visual effects. Meanwhile, Firmanto Sibarani, a Marvel and DC comics reader who watched Avengers: Endgame on April 28, also praised the film’s visual effects. The last scenes were colossal, they surpassed Avengers: Infinity War,” he said in a phone interview on Wednesday, May 1. “Aesthetically, the film has the most ambitious compared with Marvel’s previous films. Dana said the film was the peak of Marvel’s 11-year journey that kicked off with Iron Man (2008), and he also praised the visual effects.
0 kommentar(er)
